„I'm afraid...“ – Die geheimen Codes britischer Sprache
Shownotes
Das Essen war "interesting". Der Wein "not bad". Und auf die höfliche Frage "Would you mind?" folgt besser keine Diskussion. Wer britisches Englisch wörtlich nimmt, versteht oft genau das Gegenteil von dem, was gemeint ist. Denn in Großbritannien entscheidet nicht nur das Wort über seine Bedeutung, sondern auch Tonfall, Situation und das, was bewusst unausgesprochen bleibt.
In dieser Folge BRITPOD – England at its best entschlüsseln Alexander-Klaus Stecher und Claus Beling die verborgenen Regeln britischer Kommunikation. Warum kann "not bad" ein außergewöhnliches Kompliment sein? Weshalb bedeutet "I'm afraid…" häufig schlicht Nein? Und warum ist "With all due respect" oft das sichere Zeichen dafür, dass gleich etwas ausgesprochen wird, das alles andere als respektvoll ist?
Die beiden zeigen, wie tief Understatement in der britischen Kultur verwurzelt ist. Queen Elizabeth II. machte aus einem royalen Katastrophenjahr mit zwei lateinischen Wörtern ein Stück Weltgeschichte. König Charles III. verpackt diplomatische Botschaften in feinen Humor. Und Hugh Grant schafft es mit einem einzigen trockenen "Almost", mehr zu sagen als andere in einem ganzen Interview. BRITPOD – England at its best.
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Ein ALL EARS ON YOU Original Podcast.
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00:00:03: So what did you think of the dinner?
00:00:06: It was interesting.
00:00:08: Interesting, yes very interesting.
00:00:12: so... You liked it!
00:00:14: Well I wouldn't go that far.
00:00:18: and the wine not bad Not bad
00:00:23: for
00:00:23: a Tuesday.
00:00:25: Oh right exactly Dear Klaus.
00:00:34: Yes?
00:00:34: What
00:00:34: just happened?
00:00:36: I think
00:00:37: we just experienced a very normal English evening.
00:00:40: So that means... No one
00:00:41: has said what he really meant.
00:00:43: Ah!
00:00:44: And
00:00:44: what does your A mean now?
00:00:46: It
00:00:46: depends on it Klaus, today you have to talk about something that as an outsider in Great Britain will probably never be understood
00:00:56: The British cuisine?
00:00:57: No
00:00:58: The weather?
00:00:59: No
00:00:59: Monarchy?
00:01:00: Also no Yes,
00:01:01: what then?
00:01:02: British.
00:01:03: British?
00:01:04: Exactly the secret language of the Brits.
00:01:07: Free according to English motto... Sorry!
00:01:10: But what do you really mean?
00:01:14: England
00:01:15: at its best
00:01:16: The big
00:01:18: Brit pod
00:01:19: With Alexander Klaus Stecher and Klaus
00:01:21: Spelling.
00:01:22: So Klaus let's start with a sentence that probably has led countless non-Britens into hell The
00:01:32: food was
00:01:38: not bad.
00:01:39: Then we can't
00:01:42: go home
00:01:45: disappointed.
00:01:46: On the contrary, you might have just received the highest culinary praise that this person wanted to give.
00:01:56: at this evening There
00:01:59: is this wonderful British ability to dim your
00:02:05: enthusiasm down.
00:02:06: Not absolutely fantastic but it works.
00:02:11: Or
00:02:12: quite nice.
00:02:13: Yes
00:02:14: what sounds like in German?
00:02:17: well
00:02:18: And then the dangerous
00:02:24: word comes.
00:02:25: Interesting.
00:02:26: But it can also mean that there is complete nonsense, but I'm too well drawn to say what you have to say and therefore one does not
00:02:35: only have to listen to the British what they are saying One has to hear how she says.
00:02:42: And if we talk about British understatement, then of course one person is not over.
00:02:48: Queen Elizabeth the Second.
00:02:51: God bless you!
00:02:52: In nineteen ninety-two, let's go back to your so called Anus Horribilis
00:02:57: A year in which the royal family really went through a lot.
00:03:02: Windsor-Castlebrande, the wife of Charles and Diana was practically broken.
00:03:06: Even with other children from Queen there were marriage crises and separations And at the same time the monarchy stood under enormous public
00:03:16: pressure.
00:03:16: Then this woman says...
00:03:18: In nineteen ninety two is not a year on which I shall look back With undiluted pleasure.
00:03:27: In the words of one my more sympathetic correspondence, it has turned out to be an annus horribilis.
00:03:38: I will not look back with ungrateful pleasure in nineteen hundred and
00:03:43: ninety-two.
00:03:44: That is great, that's British understatement on world class level!
00:03:47: Because
00:03:47: if you know what happened this year one could also formulate the
00:03:52: matter differently.
00:03:53: For example, nineteen hundred twenty-two was a catastrophe or ninety two ninety was hell?
00:03:59: Or
00:04:00: something royal Anno Sorribilis
00:04:03: Only two Latin words That was the queen.
00:04:06: And that's
00:04:06: exactly where something fundamental is.
00:04:08: The emotion is there, it just isn't filtered out to the outside.
00:04:13: Maybe
00:04:14: this is precisely what the key is?
00:04:16: The British don't necessarily try to feel less, they try to show fewer of them...
00:04:22: Another wonderful British construction is I'm Afraid!
00:04:26: Am I afraid?
00:04:27: No Of course
00:04:28: not.
00:04:29: When a Brit says I am afraid thats not possible then doesn´t mean I'm afraid we can't realize that, unfortunately.
00:04:40: It means
00:04:40: NO.
00:04:41: Finally no!
00:04:42: Only with a... well, a small, language-like wet cloud around
00:04:44: it.
00:04:45: And this goes on.
00:04:46: I wonder if
00:04:48: Can mean?
00:04:50: Do so Would
00:04:50: you mind?
00:04:51: Can mean Please do it right away.
00:04:54: Perhaps
00:04:55: You could.
00:04:56: Can it mean why you haven't done that to the devil?
00:05:00: And the interesting thing is, the British understand all these shorts.
00:05:07: Let's really play this one time.
00:05:08: Okay!
00:05:08: Let us assume we are in London and your car parked like this so I just
00:05:14: can't get out of there.
00:05:14: All right...
00:05:14: I'll come over here and say excuse me Klaus Would you mind moving your car?
00:05:21: Oh, is it in your way?
00:05:22: Well I wonder if you might possibly move a little.
00:05:27: Of
00:05:27: course!
00:05:27: That
00:05:28: would be lovely.
00:05:29: No
00:05:29: problem at all.
00:05:30: And
00:05:30: now let's translate this.
00:05:31: Fall
00:05:31: the car away And immediately.
00:05:33: I'm
00:05:33: not coming out otherwise.
00:05:35: And what
00:05:36: did the other one hear?
00:05:37: That
00:05:38: he will give him a chance to warm his face.
00:05:40: This is important
00:05:41: now, because British hospitality isn't just friendship it's also social technology.
00:05:49: And now we need someone who doesn't just speak the language, but loves the expert Stephen Fry.
00:05:56: The man can make a little philosophical arrangement out of one sentence.
00:06:00: Fry describes himself as very well-versed in context, convention and situation.
00:06:06: If you go to
00:06:07: an American bookshop by far the biggest section is self help and improvement.
00:06:11: You know...the idea that life is refinable and improvable and that you can learn a technique for anything, whether it's love-making being... ...a businessman or marriage cooking losing weight.
00:06:25: Whatever is there's an NLP way of doing this.
00:06:29: Anthony Robbins' way of do things they didn't teach at Harvard.
00:06:33: Way of Doing It.
00:06:33: There was unbelievable sense That life is improvable.
00:06:37: You could be lectured at Or indeed given a sermon At the Protestant base in America.
00:06:43: Things are done by text works as opposed to by submission and by, you know a doctrine in the way that The Higher Church European Rump we still believe.
00:06:56: And there is this sense of original scene in Europe.
00:06:59: I mean it's bizarre theory but when it comes to comedy satisfactorily i think
00:07:06: obvious
00:07:07: That American comic hero is wisecracker who was above his material And the British comic, put it this way.
00:07:17: The American comic here like John Belushi or someone like that is... You know that scene in Animal House where there's a fellow playing folk music on guitar and John Belusi picks up the guitar and destroys it because he just smashes it then waggles his eyebrows at camera?
00:07:38: Everyone says God, he's so great!
00:07:40: Well the British comedian would want to play the folk singer.
00:07:46: We want to play the failure.
00:07:47: How much power do I have right now?
00:07:53: By the way, this
00:07:55: is something that people who have a lot of business to do in Great Britain should really understand.
00:08:05: If someone
00:08:09: says it in one meeting... It can even mean the opposite!
00:08:18: I understood what you are saying And i think its for wrongs.
00:08:21: Only you don't say it.
00:08:23: There's a sentence
00:08:26: before.
00:08:26: we should
00:08:28: be especially proud as foreigners in Great Britannia.
00:08:39: With all due respect.
00:08:41: Oh, yes!
00:08:41: Because
00:08:41: rarely
00:08:42: something that sounds particularly respectful comes
00:08:45: up.
00:08:46: With all to your respect I don't think it's quite right.
00:08:48: Translation?
00:08:49: You
00:08:49: have no idea... But just
00:08:52: in a package from….
00:08:53: Yes, silk!
00:08:54: And maybe this is one of the great British culture technicians.
00:08:59: you can correct someone without publicizing him.
00:09:02: You cannot say NO without making a confrontation.
00:09:05: You can criticize without the other one immediately in a defense posture to bring.
00:09:11: That's by
00:09:11: the way not stupid at all!
00:09:12: No, of course not.
00:09:13: maybe
00:09:13: we Germans could sometimes cut off a small window there too But only a little?
00:09:16: Of course We don't want
00:09:17: to suddenly become
00:09:19: British.
00:09:20: So and now let us jump into year two thousand twenty-six King Charles III Washington
00:09:32: D.C.,
00:09:33: U.S.
00:09:33: Congress, historical speech and Charles does something that a British monarch can do particularly well.
00:09:42: he says something rather freaky and makes out a charming joke.
00:09:45: Our destinies as nations have been interlinked.
00:09:49: As Oscar Wilde said we really everything in common with America nowadays except of course language.
00:09:58: That is Oscar Wilde and Charles says this sentence in the year of twenty-six, before the American congressman has to think about it.
00:10:06: This is actually a small diplomatic masterpiece.
00:10:09: Charles
00:10:15: says
00:10:16: we have everything
00:10:21: together
00:10:22: but
00:10:29: at the same time he says except for his language!
00:10:34: So you are pretty much like us...but Are you excited to see anybody win?
00:10:45: Do you have your hopes up for anyone?
00:10:50: That's wonderful!
00:10:51: The American tried to get
00:10:54: a positive statement from him.
00:10:56: According to the motto, you have fun and Hugh Grant only says almost.
00:11:01: Almost?
00:11:01: She doesn't get it anymore!
00:11:03: And what's fascinating is that he didn't even have to say no... I
00:11:09: didn't think this
00:11:11: was great at all.
00:11:13: He just said almost!
00:11:16: And everyone in Brite understands.
00:11:19: Maybe there also a form of self-protection.
00:11:21: How
00:11:22: do you mean by that?
00:11:23: Well if i don't say everything as much as possible then I can't be disappointed when I say That would've
00:11:31: been the best thing ever.
00:11:33: Then I got very
00:11:36: far away
00:11:38: from the window.
00:11:43: If i say it was rather nice, then there is still air up
00:11:51: here.".
00:11:52: Yes
00:11:53: that's interesting!
00:11:54: Maybe British understatement isn't just a
00:12:02: social rule
00:12:05: maybe its
00:12:06: also a form of emotional
00:12:10: self-control.
00:12:13: Such a stupid conversation, really.
00:12:17: Yeah you?
00:12:18: Welcome to the Easy English Podcast.
00:12:20: I said that already...
00:12:21: By the way i always walk on when people ask me that and say yeah!
00:12:25: And then just go make it so long they don't have to asking you because in my German manners nobody wants to give me anyway.
00:12:35: So I'm like oh yeah thankyou Make a chewing gum and I'm already around the corner.
00:12:44: Really?
00:12:45: I did it yesterday in that hallway, was one of the builders...
00:12:49: Oh yeah he said hey you're alright!
00:12:50: Yeah i was just like oh yeah thankyou
00:12:52: yeah yeah yeah
00:12:54: And I just went
00:12:54: on You don't even need to respond..
00:12:57: Yeah you should say how are you?
00:13:00: but then nothing comes back.
00:13:02: That is for me weird end of conversation right?
00:13:05: Yeah, I find it weird.
00:13:06: It happened to me when we were in the park and two schoolgirls got jumped on by Nola in a loving way...
00:13:12: Well they provoked her to jump!
00:13:14: They were running at him like why are you running at them?
00:13:18: Is she
00:13:18: friendly?!
00:13:22: So basically they jumped on her
00:13:25: And then i said oh because i was actually asking Are they all right?
00:13:30: I'm saying Oh You're Right.
00:13:31: and she went yeah you.
00:13:31: And Then I realized She thinks Im Asking Are you alright?
00:13:36: But how are
00:13:36: you?".
00:13:37: And now we come to something that I personally find particularly interesting,
00:13:44: the question... Is everything okay for us next
00:13:48: time?
00:13:48: And the answer is Yeah!
00:13:49: I am
00:13:50: fine.
00:13:51: Can it be called
00:13:53: Yes or No?
00:13:53: Or I don't want to talk about this anymore.
00:13:56: Please ask again.
00:13:57: That's
00:13:58: actually a nice example of The communication not only consists of words, but also sounds, looks, breaks, situations and relationships.
00:14:08: And that's exactly why a German sentence like what is going on with you for a Brit sometimes works brutally directly?
00:14:15: While
00:14:16: a Brit says you are right.
00:14:18: I see that something is not right.
00:14:22: But, I would like to give you the opportunity to decide for yourself whether or not
00:14:28: you want to talk about
00:14:29: it.".
00:14:29: That's actually pretty elegant!
00:14:30: But
00:14:30: of course this also has a side effect.
00:14:32: if one only says an enemy then at some point no one knows how it really works anymore.
00:14:37: maybe exactly what our listeners and listeners are interested in because especially regarding these forms of communication sometimes wonderful and
00:14:51: sometimes terrible.
00:14:52: Because the others should understand
00:14:54: between tones?
00:14:55: Exactly!
00:14:55: Well, it's fine.
00:14:56: Oh oh... And everyone knows at least now that it is not fine.
00:15:01: Not at all.
00:15:01: But what's interesting is he even has a cultural vocabulary for this.
00:15:06: He doesn't have to say I'm just injured but can also say I am a little disappointed.
00:15:12: What
00:15:12: does that mean?
00:15:13: That means I smell sour Or...?
00:15:16: That's unfortunate.
00:15:20: Or I'm not entirely convinced.
00:15:29: Klaus, let us make a little British dictionary, okay?
00:15:35: Okay!
00:15:36: So... I say the British word and you translate
00:15:42: it according to English
00:15:43: meaning, ok?
00:15:44: Yes And
00:15:45: here we go.
00:15:45: Not bad, quite
00:15:46: good.
00:15:47: Interesting!
00:15:49: That's
00:15:49: brave I'm afraid... ...I hear what you are saying.
00:15:56: With
00:15:57: all your respect You might want to think about that.
00:16:04: That is one way of looking at it.
00:16:06: And
00:16:06: now my favorite sentence.
00:16:09: when you
00:16:10: invite someone I will let you know.
00:16:16: Perfect!
00:16:17: about distance, self-explanation and the desire of others
00:16:28: not only to show off
00:16:35: but also history, class or social codes.
00:16:47: The British understatement is definitely no coincidence – it belongs long ago to British communication culture.
00:16:53: And what's interesting here are that this culture can be incredibly charming But they may still be complicated Because if you
00:17:00: don't know these codes then sometimes the Brits understand completely wrong.
00:17:05: Klaus, do you think that this kind of hidden language will disappear at some point?
00:17:09: No.
00:17:09: It changes.
00:17:10: Of course younger British people communicate differently than Queen Elizabeth II's generation.
00:17:17: Social media is more direct.
00:17:20: American influence is enormous!
00:17:22: But irony on the statement, and the game with the undisputed are amazingly robust.
00:17:29: Maybe even because it's fun?
00:17:30: Yes!
00:17:30: Because
00:17:32: language can be a game
00:17:33: And British English is sometimes a game for both players who know rules.
00:17:39: Only the foreigner often stands next to you thinking what exactly happened
00:17:44: here And then someone says not
00:17:46: bad You still don't know if that was good or bad Or very well.
00:17:50: Then do you notice?
00:17:51: That's the point.
00:17:53: Maybe the actual secret of British language isn't that they say something different than what you
00:18:06: think, maybe it is
00:18:06: a completely different thing.
00:18:07: Namely?
00:18:08: Yes!
00:18:08: They remind us to not only let out our communication but also allow other people
00:18:14: in their own space.
00:18:16: Exactly
00:18:18: for interpretation as an example.
00:18:19: For words.
00:18:20: For
00:18:20: humor
00:18:21: And sometimes you just don't have to say everything about it.
00:18:25: That can be very elegant!
00:18:26: And sometimes incredibly exhausting.
00:18:29: Especially for us Germans.
00:18:31: I didn´t want to say anything right now,
00:18:33: but there is something
00:18:35: in your mind...
00:18:38: So what did you think of the dinner?
00:18:41: It was interesting.
00:18:43: Interesting?!
00:18:44: Yes, very interesting.
00:18:46: so you liked it.
00:18:49: well I wouldn't go that far.
00:18:53: And the wine?
00:18:55: Not bad, not bad for a Tuesday!
00:19:00: Right exactly.
00:19:03: Close
00:19:04: Yes
00:19:05: Was das heute gut?
00:19:06: Not Bad
00:19:07: Close...I'm
00:19:08: afraid it's the highest praise you are going to get.
00:19:11: I see Exactly.
00:19:12: Thank you very much for
00:19:14: listening and if you liked it, please give us a nice rating star or write a review to our Britpod.
00:19:21: And when you have suggestions of ideas or any topics, also feel free to write us a whatsapp under the number.
00:19:31: You can also read our podcast again in the follow-up text.
00:19:36: At best you save this number like a new contact, for example under the name Britpod and already you can communicate with us.
00:19:45: Thank you very much!
00:19:46: And until next time, from England.
00:19:47: Edits Fest, the big BritPod.
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